CONTROL

February 8th, 2011 — 5:40pm
spaghetti pingu
Sculptural Conduit Work at the Hinman Research Building, GaTech, Atlanta (Photo by Author)
London Zoo Penguin Pool, Berthold Lubetkin and Tecton (with Ove Arup), 1934 (Photo by Author)

 

Can conduit be controlled? Sort of.

 

As part of a recent renovation at Georgia Tech, our team was asked to replace all mechanical, plumbing, electrical (MEP) and telephone/data services, but without a budget for ceilings to conceal them. In response, we set an invisible plane at a comfortable nine feet above the floor throughout the building, and registered its intersection through walls using a paint line. We thought: below this line will be architecture, the stuff we control. Above it, anything goes—paint it and make it disappear. This simple act of zoning produced the intended results, but also coaxed some surprising work from the MEP trades in the process.

 

In an efficient building with no ceiling constraints, MEP systems would expand vertically, stacking to reduce costs associated with additional fittings, transitions and labor. However, our minimum height limit forced more things to coexist in plan, and exacerbated bottlenecks caused by low beams, congestion… more

 

After nearly eighty years, Berthold Lubetkin’s London Zoo Penguin Pool still dazzles with its structural daring and elegance. It even harbors a social agenda of sorts with the project’s defining element—a pair of interweaving concrete ramps—thoughtfully designed to orchestrate endless penguin frolicking. And yet, when I visited the Zoo shortly before the penguins were moved to a new home in 2004, the pool’s inhabitants were completely indifferent to Lubetkin’s efforts. Much to my disappointment no penguins gathered on, waddled up or belly-slid down this seemingly-perfect bit of architecture. Most of them huddled together on level terrain alongside the water’s edge, while a lone penguin ventured up the more utilitarian (and direct) flight of stairs leading to freedom. Heartbreakingly, a well-placed piece of Plexiglas thwarted his escape.

 

Architecture’s ability to single-handedly engender new and exciting activities may well be questioned. Its ability to render certain activities impossible, however, is a fact beyond dispute.

 

Tom Beresford

 

 

Jacob Reidel

 

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